I set the scene to then let my thoughts wander in my next letters.
Geography of memory is the name of a piece of furniture, made of antic boxes and drawer, assembled in a heterogeneous construction to contain artworks-traces. Created in New York in 2016 for Call In, it represented the past in the beautiful raw space of the Chimney NYC.
A cocoon, a wooden family tree in the making, had been wrapped on the spot, in glass with Andrew Erdos and hung 6 meters from the ground in the center of the gallery, it was the place of gestation. The future was a projection of the video Renommée 2 on the ceiling just above the exit door.
10 years is not very long, except for the child, must we already summon the memory? The one that is a milestone in the concentric circles of moults and mutations : nostalgia, projections and everything that will cross our minds, yours and mine. My proposal is called Geography of Memory.
Last January I have been invited to create the Victor Trophies imagined by Ashok Adiceam for the Fonds Paul Emile Victor and the Polar season which began with the government conference on Antarctica. I have imagined Ginkgo fossils caught in glass as they would be in ice.
Embrace, questions the cosmogony and presents glass sculptures, drawings and video. The installation will be on display from Saturday septembre 5th to November 23rd 2020 at Corte Dell’Arte Gallery.
La Nuit de la photographie de la Chaux-de-Fonds,will present my work Inspirer et expirer en même temps, video, Saturday February 16th.
What is more volatile than the present?
At the end of our breath, in the word that is preparing to cross our lips, it is still the future.
The unveiling of the times is today, I will welcome you today, Thursday, May 17th, 2018: First at Arrêt Sur l’Image Gallery at 4:00PM, followed by the Musée des Arts Decoratives de Bordeaux (madd-bordeaux) at 5:30PM.
“Temps,” the French word for Time, is always written in plural, even though it can only be singular.
How long lasts the present, when does the future become the past, and what does the past say about what is to come.
Raw Saps |2| The deep fragility of what is to come
- Collaboration
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- Exhibition
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- Lignes de vie
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- Passages
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I wanted to share with you this story, “The absence in our paces“, created for the Tunisian Venice Art Biennial Pavilion, which theme was « The absence of path ».
I drew out the silence.
Openning June 21st from 18:30 to 20:30
Jardin Botanique Alpin , chemin du jardin Alpin7, 1217 Meyrin Switzerland.
