You will find my ceramic inks in very good company on Simon Studer Art’s stand C10 and my threads of thoughts on the floor of the Night Fall stand, in A52.
Stories
Questions in motion
(h)Être installation
2017 Installation of 8 (h)Être logs and and one stump
(h)Être lump detail 1
Lump 1 - dreams of King Nebuchadnezzar. interpreted by Daniel (Daniel chap 5 verses 1 to 24) pyrographed
(h)Être log E Projected shadow
E-Projected shadow - extrapolated shadow in red acrylic paint
Her Nest 1
Feathers and hair nest in a carcked tumbleweed 90 x 140 x 60 cm
Passage du temps installation
Screening of naître (1) video of the release of the Call In cocoon on 3 passages of time which are revealed by a construction light
h Être nid
3 logs of (h)Être and memory of a nest in red silk strings| G-Deuteronomy 20-19 and 22-6 et 7 engraved | H-Psalms 9-13 engraved | I-Proverbs 27-28 engraved 120 x 90 x 45 cm
Fil de pensee Call Out
2017 thoughts scattered in red pen on resin floor
Fil de pensee 4 detail
2016 Unbridled thoughts on the topic of Deuteronomy 22-6 and 7 on paper
Passage du temps adar 2 detail
2016 - papier poinçconné du temps qui passe - un point par minute pour le mois embolismique, Adar 2 sur papier50 x 60 cm
Red Strings Call out installation
2017 Installation of the call out pieces, red pen and photographs and the thread of thought on the ground
Nid pyrogravure encre rond 2 detail 2
2016 Ink and metalic pyrography on paper61 x 64.1 cm
Nid pyrogravure encre rond 3 detail 2
2016 Ink and metalic pyrography on paper61 x 64.1 cm
Nid pyrogravure encre rond 4 detail 1
2016 Ink and metalic pyrography on paper61 x 64.1 cm
What is this fragile and subtile place where we shelter to give birth and nurse. What are the twigs we carry to be able to let go our weapons, secrets and treasures. What is this place of our safety, imaginary projection, as well as the one of our eviction. Will we collect our own creation or will we seize those of others ?
News
Discover my collaborations, exhibitions and current projects
2023, opens with a wonderful meeting with Barbara Polla. It was first in my studio, then in her gallery Analix Forever, starting a conversation that will materialize with the integration of a Foule in her exhibition Rainbow Utopias from January 14.
I have been invited by Anne Calas to her fertile place, the Grand Sault, a residence about encounters. I would be there in dialogue with Laetitia Pitz.
I have chosen to devote this time in Luberon to writing, and am both anxious and very curious about what will emerge.