Inhale and exhale at the same time

“Side by side and face to face” interlinking visions of the world

Birds triptych April 4th 2017
2017 Photography
Birds triptych April 4th 2017

There is good and evil, white and black, literal and symbolic, shadow and light. These oppositions reflect a way of understanding the world that ignores what is before or after, what is not yet or no longer visible, audible, understandable. In Inhaling and exhaling at the Same Time, a continuation of my research on the symbolic representation of God, I place alternating world views side by side and face to face. In this photo and video story, you are encouraged to look beyond, to understand the meanings, the essence of what is on offer.

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Sèves brutes (Raw Saps) Past

Our common blood, reflections on what flows through un in three tenses : before

Sèves Brutes – Past – Fossil 5-3 by night
Flow of glass on branches, bark and symbolic writings 61 x 56 x 10 cm | Ecclesiastes Chapter 1 verse 6: To go south and describe its curve to the north; the wind progresses while always evolving and passes by the same circuits
Sèves Brutes – Past – Fossil 5-3 by night
Fossil 1-2 detail
Flow of glass on branches, bark and symbolic writings - 56 x 61 x 10cm
Fossil 1-2 detail
Fossil 1-2 detail
Flow of glass on branches, bark and symbolic writings
Fossil 1-2 detail
Fossile-3-1 in the flow
Fossile-3-1 in the flow
Seves Brutes (Raw Saps) - Past - Fossil 1-2
2018 reactivated 2021 Branch, glass, gauze and red thread, reactivated in 2020 on brass base | 57 x 51 x 7 cm | Ecclesiastes Chapter 1 verse 7 All rivers go to the sea, and the sea is not filled with them; towards the place which is assigned to the rivers, they invariably direct their course
Seves Brutes (Raw Saps) - Past - Fossil 1-2
Seves Brutes past Fossil 3-1 on a rainy day
Flow of glass on branches, bark and symbolic writings 65 x 60 x 8 cm - Ecclesiastes Chapter 1 verse 8 All things are always in motion; no one is able to account for it. The eye never gets tired of seeing, nor the ear tires of hearing.
Seves Brutes past Fossil 3-1 on a rainy day
Seves Brutes (Raw Saps) - Past - Fossil 5-3 and a visitor
2018-2021 Branch, glass, gauze and red thread reactivated in 2021 on a brass base
61 x 56 x 10 cm
Seves Brutes (Raw Saps) - Past - Fossil 5-3 and a visitor
Imaginary topography
2018 digital drawing, reinventing the topography of places of time where fossils were not.
Sèves Brutes – Past – Imaginary topography MADD Bordeaux

It would be a journey where time would be visible, an immense but elusive future in the installation of a Chateau, apprehensible but overflowing in the present of a gallery and finally very concentrated for a past that must be unearthed in a museum.

It would be a story without beginning or end, a story of time and encounters, encounters between people, interior encounters, encounters with emotions as well. Juxtaposed and correlated encounters and sometimes as intangible as they are essential

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Sèves brutes (Raw saps) Present

Our common blood, reflections on what flows through un in three tenses : now

Seves brutes (Raw Saps) - present - Part of the 180 pieces drawing
2018 Installation Arret sur L'image Gallery Bordeaux
Seves brutes (Raw Saps) - present - Part of the 180 pieces drawing
Installation Seves Brutes (Raw Saps) - Present - 180 dessins
sanguine, white and sepia ink- 180 drawing 65x50 cm each
total size 1300 x 450 cm
Installation Seves Brutes (Raw Saps) - Present - 180 dessins
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present one of the 180 pages
Seves Brutes (Raw Saps) present one of the 180 pages
Seves Brutes (Raw Saps) present one of the 180 pages
Seves Brutes (Raw Saps) present one of the 180 pages
Seves brutes (raw saps) - present - Part of the 180 pieces drawing
2018 - installation à Arrêt sur l’image, galerie Bordeaux
Seves brutes (raw saps) - present - Part of the 180 pieces drawing
Seves brutes - present - Installation of part of the 180 pieces drawing
2018 - installation at Arrêt sur l’image gallery Bordeaux
Seves brutes (Raw Saps) - present - Installation of part of the 180 pieces drawing
Seves Brutes (Raw Saps) present page 165
Seves Brutes (Raw Saps) present page 165
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present visitor
Seves brutes (Raw Saps) - present - Installation of part of the 180 pieces drawing
2018 - installation at Arrêt sur l’image gallery Bordeaux
Seves brutes (Raw Saps) - present - Installation of part of the 180 pieces drawing

It would be a journey where time would be visible, an immense but elusive future in the installation of a Chateau, apprehensible but overflowing in the present of a gallery and finally very concentrated for a past that must be unearthed in a museum.

It would be a story without beginning or end, a story of time and encounters, encounters between people, interior encounters, encounters with emotions as well. Juxtaposed and correlated encounters and sometimes as intangible as they are essential

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Sèves brutes (Raw Saps) Future

Our common blood, reflections on what flows through un in three tenses : soon

Seves Brutes (Raw Saps) - Future- diagonale 1
2018 Projection of Diagonale (1), Diagonale (2) on a Video Box and Fractale video on the floor
Seves Brutes (Raw Saps) - Future - projection on a video box
Seves Brutes (Raw Saps) Future projection
Seves Brutes (Raw Saps) Future projection
Sèves Brutes Future pigments on the Vinyard soil detail
Sèves Brutes Future pigments on the Vinyard soil detail
Seves Brutes (Raw Saps) - Future - Diagonale 2
2018 video 3'29
Seves Brutes (Raw Saps) - Future - Diagonale 2 video
Seves Brutes (Raw Saps) - Future - Diagonale 1
2018 Video 3'29
Seves Brutes (Raw Saps) - Futur e- Diagonale 1 extract of a video
Seves brutes (Raw Saps) Future lignes rouges
2018 - 1km of pigments spread in the vines of Château Palmer to reveal the life that beats underground
Seves brutes (Raw Saps) Future Red lignes
Savoir photography
2018 Photography
Savoir photography
Seves Brutes (Raw Saps) - Futur - projection in a video box-Une vie (matin)
Seves Brutes (Raw Saps) - Futur - projection in a video box-Une vie (matin)
Seves Brutes (Raw Saps) - Futur - projection of videos Visitor
Projection of Diagonale (1), Diagonale (2) on a wooden video box and Fractale on the floor • The visitor is watching Une vie (matin) video through the eyecup
Seves Brutes (Raw Saps) - Futur - projection of videos Visitor
Traces from the future to the past installation
2018 pyrography on paper and pyrodorides
Traces from the future to the past installation
Seves Brutes (Raw Saps) - Between Futur and Past - Souffle (inhale and exhale) in process
2018 Diptych blowed pigments and ink on paper
65.5 x 50.5
Seves Brutes (Raw Saps) - Between Futur and Past - Souffle (inhale and exhale) in process
From the past to the future Glass with gauze branch and stone 3
Gauze branch glass and stone | 25 x 3 x 48 cm
From the past to the future Glass with gauze branch and stone 3

It would be a journey where time would be visible, an immense but elusive future in the installation of a Chateau, apprehensible but overflowing in the present of a gallery and finally very concentrated for a past that must be unearthed in a museum.

It would be a story without beginning or end, a story of time and encounters, encounters between people, interior encounters, encounters with emotions as well. Juxtaposed and correlated encounters and sometimes as intangible as they are essential

Read this story

Absence in our path

Coming toward parts of oneself one doesn’t know

The absence in our path | Pure
Gazes pures, 37 detail 4 2016 | photography
The absence in our path | Pure
The absence in our path | Traces
(h)Être| Shadow 2017 | photography
The absence in our path | Traces
The absence in our path | Membranes
2016 | photography
The absence in our path | Membranes
The absence in our path | Up and downs
Série ligne de fuite 2017 | photography
The absence in our path | Up and downs
The absence in our path | Up and downs
Série ligne de fuite 2017 | photography
The absence in our path | Up and downs
The absence in our path | flights
Oiseaux 1, 3 , 2 et 4 2015-2017 | photography
The absence in our path | flights
The absence in our path | Exil
Série Passages 2017 | photography
The absence in our path | Exil
The absence in our path | Equilibrium
Série Lignes de fuite |
The absence in our path | Equilibrium
The absence in our path | Equilibrium
Série Lignes de fuite | 2017 | Photography
The absence in our path | Equilibrium
The absence in our path | Waters
Série Sangs et eaux | 2017 | video andt photography
The absence in our path | Waters
The absence in our path | Waters
Série Sangs et eaux | 2017 | video andt photography
The absence in our path | Waters
A
Série Sangs et eaux | 2017 | video andt photography
A

In the surrounding darkness, I seek for a way, a why toward the light. The sounds reaching me make no sens, they gather with my thoughts, weaving nothing. They spring up from all sides, I got lost It is the familiar leap in the unknown feeling that every morning calls for and every evening sooths. I begin maps I can’t read, but witch presence reassure me. The paper material on which they are sketched, the shards in my memory, indicate more validly the north that what I try to decipher from the surroundings.(…)

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Call Out (re)cueillir

From mutation to emergence : endless crossings - part 2

(h)Être installation
2017 Installation of 8 (h)Être logs and and one stump
(h)Être nest of nests Installation
(h)Être lump detail 1
Lump 1 - dreams of King Nebuchadnezzar. interpreted by Daniel (Daniel chap 5 verses 1 to 24) pyrographed
(h)Être lump detail 1
(h)Être log E Projected shadow
E-Projected shadow - extrapolated shadow in red acrylic paint
(h)Être Nest - Log E - Projected shadow
Her Nest 1
Feathers and hair nest in a carcked tumbleweed
90 x 140 x 60 cm
Hair nest 1
Passage du temps installation
Screening of naître (1) video of the release of the Call In cocoon on 3 passages of time which are revealed by a construction light
Passage of time and naître (to be born) video
h Être nid
3 logs of (h)Être and memory of a nest in red silk strings| G-Deuteronomy 20-19 and 22-6 et 7 engraved | H-Psalms 9-13 engraved | I-Proverbs 27-28 engraved
120 x 90 x 45 cm
(h)Être - nest - 3 logs of (h)Être and red silk strings
Fil de pensee Call Out
2017 thoughts scattered in red pen on resin floor
Fil de pensee Call Out (sthread of thoughts)
Fil de pensee 4 detail
2016 Unbridled thoughts on the topic of Deuteronomy 22-6 and 7 on paper
Fil de pensée 4 (Sthread of thoughts on paper)
Passage du temps adar 2 detail
2016 - papier poinçconné du temps qui passe - un point par minute pour le mois embolismique, Adar 2 sur papier
50 x 60 cm
Passagedu temps- Adar 2 - detail
Red Strings Call out installation
2017 Installation of the call out pieces, red pen and photographs and the thread of thought on the ground
Red Strings Call out installation
Nid pyrogravure encre rond 2 detail 2
2016 Ink and metalic pyrography on paper
61 x 64.1 cm
Nid pyrogravure encre rond 2 Nest pyrograved on ink
Nid pyrogravure encre rond 3 detail 2
2016 Ink and metalic pyrography on paper
61 x 64.1 cm
Nid pyrogravure encre rond 3 detail 2016 Ink and metalic pyrography on paper
Nid pyrogravure encre rond 4 detail 1
2016 Ink and metalic pyrography on paper
61 x 64.1 cm
Nid pyrogravure encre rond 4 detail 2016 Ink and metalic pyrography on paper61 x 64.1 cm

What is this fragile and subtile place where we shelter to give birth and nurse. What are the twigs we carry to be able to let go our weapons, secrets and treasures. What is this place of our safety, imaginary projection, as well as the one of our eviction. Will we collect our own creation or will we seize those of others ?

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