Sèves brutes (Raw saps) Present

(…) The gallery is the fleeting present. The visitor, like the wine buyer yesterday, dreams of the encounter that is only touching the surface. The wine was in the bottle, the works are as a whole. He said coherent things to himself, a general feeling, a complex emotion. The visitor will perhaps make an act of mental or material appropriation and absorb the emotion to see it continue and evolve in their own space. The gallery is a promise, a moment stopped. A subjective image of the outbreak. (…)